Latest News

In Mud We Trust: Ruby Rumié's volcano portraits are on display until June 27 at the Nohra Haime Gallery in New York. Photo: Ruby Rumié.

From Cartagena to Chelsea: Ruby Rumié Brings ¿How Are the Children? to New York

By Richard Emblin - May 6, 2026

At Nohra Haime Gallery, in Manhattan’s white-walled Chelsea district, Cartagena-based artist Ruby Rumié is asking a deceptively simple question: How are the children? It is not a casual greeting, nor the sentimental title of a new exhibition. Instead, it draws from the Maasai expression “Kasserian Ingera,” a phrase that measures the wellbeing of an entire […]

Francis Alÿs at MAMU: A Global Portrait of Childhood Through Play

By Richard Emblin - April 29, 2026

At a time when children are increasingly indoors – absorbed by screens, separated from the street and distanced from the spontaneous rituals of neighborhood play – a new exhibition by the Banco de la República has launched at the Museo de Arte Miguel Urrutia (MAMU), and one that asks a deceptively simple question: what happened […]

Marina Sánchez paints Bogotá’s Cerros in luminous colour at Museo del Chicó

By Richard Emblin - March 2, 2026

In Bogotá, the mountains are never out of sight. They rise abruptly along the city’s eastern edge, forming a green wall that shapes the capital’s light, weather and sense of place. For Colombian artist Marina Sánchez, the ridges that surround the Colombian capital’s cardinal points are also more intimate: a constant presence, a point of […]

A pre-Columbian flute is one of many artifacts in the exhibition Colombia: En un aliento. Photo courtesy: Banco de la República.

Colombia in a Breath: Wind Instruments That Tell the Story of a Nation

By Richard Emblin - January 29, 2026

Musical instruments are far more than tools for producing sound: they embody the cultural identity of a territory, carrying spiritual meanings, collective memory, and the deep-rooted expressions that shape a community’s history. Colombia en un Aliento 2026 (Colombia in a Breath 2026) invites audiences on a sonic journey through the country’s wind instruments, encouraging reflection […]

A Spanish Royalist flag of the Extremadura Batallion recovered by Republican troops. Photo: Richard Emblin

Colombia’s National Museum Marks 200 Years with “Inspire, Move, Convoke”

By The City Paper Staff - December 12, 2025

Two centuries after its founding in the turbulent aftermath of the Wars of Independence, the National Museum of Colombia is marking its bicentenary with one of the most ambitious exhibitions in its history. Inspirar, conmover y convocar: el Museo de la nación (1823–2023) opens this week in Bogotá, inviting visitors to reflect on 200 years […]

Pictograms in the Chiribiquete National Park.

Lines on Stone: The Millennial Rock Art of the La Lindosa Range

By Richard Emblin - November 20, 2025

At the eastern fringes of the Andes, where the Orinoco River Basin unfurls in an ondulating canvas of green, punctuated by majestic rivers and sandstone mesas, lies one of the world’s most astonishing open-air galleries of human existence. The Serranía de La Lindosa, in the department of Guaviare, is a monumental tableau carved by nature […]

Juan Manuel Echavarría and the Haunting Silence of Memory

By Richard Emblin - July 25, 2025

In a powerful Bogotá exhibition, Colombian artist Juan Manuel Echavarría brings the country’s hidden war into view — through abandoned schoolrooms, war-scarred voices, and the quiet gaze of witness.

Banco de la República unveils virtual library of Brian Moser’s legacy in Colombia

By Richard Emblin - October 16, 2024

British geologist-turned-photographer Brian Moser (1935-2023) captured the lives of Colombia’s Indigenous, Afro, and rural communities. A new virtual exhibition by the country’s Central Bank – Banco de la República – showcases 1,400 of Moser’s most iconic images.