BOGOSHORTS Expands Global Audience at Cannes With Latin American Short Films

OSHORTS, the growing presence at Cannes is part of a long-term internationalization strategy. Photo: Black Velvet
For BOGOSHORTS, the growing presence at Cannes is part of a long-term internationalization strategy. Photo: Black Velvet

The Bogotá Short Film Festival – BOGOSHORTS – is strengthening its international footprint at the 79th Cannes Film Festival with a major presence at the Short Film Corner | Rendez-vous Industry, positioning Colombian and regional filmmakers before one of the world’s most influential film markets.

From May 13 to 24, this leading platforms for Latin America’s short films will present two curated collections of short films at Cannes while deepening industry ties through networking events, producer exchanges and strategic collaborations aimed at increasing international visibility for emerging Latin American talent.

The initiative marks the second consecutive year that the BOGOSHORTS universe has secured a prominent place within Cannes’ Cinema de Demain section, the festival’s platform dedicated to discovering the next generation of filmmakers.

This year, BOGOSHORTS will showcase 10 short films divided into two programs: BOGOSHORTS World Tour – Winners Colombia and BOGOSHORTS World Tour – Latin American Talents. The films will be available to accredited industry professionals through the Short Film Corner space within the Marché du Film and on Cinando, the industry networking platform used by festival programmers, producers, critics and institutional representatives.

The Colombian selection includes five award-winning films from the festival’s 23rd edition: Agachar el rostro, directed by Camilo Medina Noy; Un aparato para detectar fantasmas, by Mauricio Maldonado; Malas posturas, directed by Juan Pablo Castro; Mi viche todo el día, by Juan Camilo Moreno; and Luz de luna, directed by Claudia Alejandra Rivera Guarnizo.

The Latin American showcase brings together a new generation of filmmakers from across the region, including Uruguay’s stop-motion short Lodo, Mexico-Cuba co-production Cicatriz de fe, Mexican production Carne, Colombian short La ley de las acciones, and Chilean production Petra y el sol.

A delegation of 17 filmmakers and producers connected to these projects will attend Cannes in person, participating in a packed agenda of panels, workshops, masterclasses, project presentations and networking sessions.

For BOGOSHORTS founder and director Jaime E. Manrique, the presence at Cannes reflects a broader mission to ensure short films from Colombia and Latin America gain stronger access to international markets.

“Ensuring that Colombian and Latin American short film talent has a stronger presence and greater opportunities for international projection and connection is one of BOGOSHORTS’ core missions,” Manrique said in a statement.

“Thanks to the agreement with the Short Film Corner | Rendez-vous Industry at the Cannes Film Festival and the articulation with our film market, this goal is not only possible, but strengthened for the second consecutive year with the participation of a young Colombian producer in the New Producers Room.”

That producer is Melisa Zapata Montoya, who stands out as the only Latin American participant selected for the 2026 edition of the New Producers Room, a Cannes initiative that supports 10 promising short film producers from around the world.

Created in 2022, the New Producers Room is designed for producers who have already completed at least two short films and are seeking international co-production opportunities. The program combines online sessions with presentations in Cannes and facilitates meetings with potential collaborators, investors and creative partners.

Zapata, recognized for projects such as Menguante (2017), Paloquemao (2020) and the feature project Pétalos de sangre (2027), joins the group through BOGOSHORTS’ recommendation, reinforcing the festival’s role as a bridge between Colombian talent and the global industry.

As part of its collaboration with Cannes, BOGOSHORTS will also select one of the 10 New Producers Room participants to attend the next edition of the BFM — BOGOSHORTS Film Market in Bogotá this December.

The selected producer will receive a tailored industry agenda and enter the BFM incubator, designed to strengthen project development and long-term professional growth. Manrique will make the selection directly in Cannes after reviewing the participating projects.

The BFM, now preparing for its 10th edition, has become one of Colombia’s most important spaces for short film development and international co-production, serving as a platform for emerging filmmakers seeking access to wider distribution networks.

Beyond screenings and business meetings, BOGOSHORTS will host a reception on May 19 at Colombia’s national stand in Cannes with support from Proimágenes Colombia. The event will bring together Latin American filmmakers, producers and institutional allies as part of its strategy to consolidate international partnerships and present future global calls for participation.

The organization will also sponsor the closing cocktail of the New Producers Room, further increasing its visibility within Cannes’ professional circuit.

The Latin American talents collection was supported by Chile’s Cortos en Grande Festival and Uruguay’s Festival del Nuevo Cine – Detour, underscoring the regional collaboration behind the initiative.

For BOGOSHORTS, the growing presence at Cannes is part of a long-term internationalization strategy that extends beyond festival screenings.

It is an effort to position short film not as a stepping stone to feature filmmaking, but as a vital creative and industrial format in its own right – one capable of opening doors for a new generation of Latin American storytellers with many of the world’s leading industry professionals.

Richard Emblin

Richard Emblin is the director of The City Paper.