The works of the great master of the visual narrative, Colombia’s Fernando Botero, are as corpulent as they are compositions of humanity’s uncertainty.
On the anniversary of Antonio Caro’s death, the National Museum opens its retrospective of the conceptual artist, best known for the Colombia/Coca-Cola series.
Considered the founder of Colombia’s conceptual art, Antonio Caro shaped perceptions of his country through visual narratives.
One of Colombia’s most important cultural landmarks has reopened to the public after it was forced to close with the pandemic. All visitors are required to wear facemasks and maintain social distancing.
The Museo del Oro’s temporary exhibit A Bordo de un Navi?o Esclavista looks at the transatlantic slave trade on board La Marie-Séraphique.
Martin Parr of the Magnum photo agency captures both the banal and quotidian in his travel photography exhibit Souvenir at MAMU.
Obituary: Gloria Zea will be remembered for her role at the Museum of Modern Art of Bogotá (Mambo) and for having founded Colombia’s first opera company.
March is film month in Colombia with Cartagena hosting the 59th edition of FICCI. Mendoza’s Niña Errante (Wandering Girl) opens the film festival.
Bogotá’s edgy art district San Felipe hosts its one day San Felipe Open in which 30 galleries and local restaurants showcase the best in the neighborhood.
The Teatro Mayor Julio Mario Santo Domingo has invited the United Kingdom to the Guest Nation of Honour for its 2019 cultural programme.
Fernando Urbina has dedicated 40-years of research to Colombia’s ancient rock art. His discovery of petroglyphs in remote territories show the first contact between conquistadores and Amazonian tribes.
Art took flight with this installation by conceptual artist Sergio Mendoza during the recent Barcú cultural fair in Bogotá.
Colombia rolls out the red carpet on its film industry with Macondo Awards and main showcase for productions that have received critical acclaim around the world.
The Modern Art Museum of Bogota? is hosting a fundraising gala to secure its future as the city’s most important contemporary arts venue.
Photographer Ruven Afanador and artist Ana González tribute the beauty and inherent sense of style of Colombia’s indigenous women in a collaborative project: Daughters of Water
Experts in Orange Economies shared their experiences with Colombia’s first Creative District in the once derelict neighborhood of El Bronx.